Posts

MusicaGruppo

Bion & Gould

/in , /by

Summary

Bion and Gould’s thought, respectively in psychoanalysis and music, shows significant and interesting concordance.
Both men are considered mystics, in the sense of supporters of highly innovative ideas (messianic),namely for their ability  to approach  the “truth”  and to  influence culture and the establishment in a revolutionary manner.
They favour the rule of improvisation, thanks to which the transition from a formal/executive functionto a creative one is carried  out. The technique, in turn, should never be separated  from the content outside logical awareness: by focusing on both aspects simultaneously, a new point of view may arise.  Yet, the technique should Read more

MusicaGruppo

Music, group and group analytic music therapy in adolescence

/in , /by

Abstract

The adolescent subject is required to recover their sound envelope bruised by puberty. All of the sound world and in particular the body’s sonority must be reorganized to guarantee the narcissistic continuity of the pubescent child. Music, especially when it accompanies the group of peers, offers teenagers a way to reconstitute a sound envelope. In more pathological cases, group analytic music therapy will help acquire this function. Read more

MusicaGruppo

The autism and the music: an encounter that often succeeds

/in , , /by

Abstract

The interest of autistic children in music was traced very early and their musical skills as well. Why is the meeting between the autistic child and music possible when the one with the word is so difficult? The hypothesis we support on the occasion of this article is that music would allow autistic children to experience the address without having to experience the painful dimension of the assignment that is linked to the act of speech. Music would allow, as demonstrated by the example of the composer Antoine Ouellette, the autistic person to put into shape a chaotic world without having to Read more

MusicaGruppo

Music and Psychoanalysis

/in , /by

Abstract

Freud’s attitude towards music was very ambivalent. For him the risk was, with the music of losing rational control that he had set himself as purpose. After a critical reading of his work, psychoanalysts have examined the links between psychoanalysis and music, discovering that there is a specific modality of psychic inscription belonging to the pre-verbal period: music would be the representation of the affect. According to current data on intrauterine and postnatal life, we know that the mother’s vocal sounds, emitted and listened to, are accompanied by many effects, inscribed in the memory of the body. The changing and discontinuous feelings that weave the child’s psyc Read more

MusicaGruppo

FOR PLEASURE. A sound/musical associative process

/in , /by

Abstract: This text reflects a very special group experience, centered on sound, music, relationship, in a functioning of free association. It focuses on musical practice and its pleasure, in groups. This experience, still relevant, has actually lasted for 17 years, she questions what “holds” such a group. The reflection also focuses on the transition from physique pleasure to spiritual pleasure, and on the resonance, in the sound, from below to beyond language. Read more

Bion

Psycoanalytic Groups and Musical Groups: an Investigation on the Possible Commmon Prospects

/in , /by

Abstract

This paper would like to bridge two realities, music and group psychoanalysis and investigate some of the dynamics that occur in groups of musicians, with the purpose of analyzing them, having as reference schools of thought that studied group psychoanalysis. Key-words are groupal associative chains related with the free improvisations in the jam sessions, mirror effect and resonance, analyzed in two places, the sessions atmosphere or back tone, the medium and the effects of the primitive mentality and of the basic assumptions, Read more